![]() Was it intimidating at all to step into an ensemble this grand? What an invaluable experience it was for me to get to work with her at such a young age, and she had just come off 'Nomadland' she was only finished for a week when she came to see us. ![]() TIMOTHÉE: Of course, with Frances McDormand. And I feel truly humbled and honoured to be a texture in the grand tapestry of a Wes Anderson movie, alongside people like Bill Murray and Owen Wilson.Īnd sharing a bed with Frances McDormand, no less. I’m so proud of the film and of everyone’s performances in it. So, I’ve seen it once, at that screening in Times Square, but I can’t wait to see it again tonight. TIMOTHÉE: I remember I finished on 'Dune', and then in December 2019, Wes had a screening in New York that the actors got to go to. A different world.ĭid you get to see this movie before the world shut down? So, it’s a wonderful feeling to be back in the world, promoting this movie, and it’s going to be a real head spin tonight, watching it in a theatre, because it’s going to feel like we shot this film in a different time and place. We rehearsed for three weeks, and I was staying in Notting Hill. I was going to do Amy Herzog’s '4000 Miles' at the Old Vic with Eileen Atkins, and Matthew Warchus was going to direct it. ![]() I remember being in London when it all kicked off. And then for the premiere, we’re all going to show up in a big bus - it’s the Wes Anderson bus. I got to my room and there’s a calling list for everyone associated with the movie right next to the phone. We’re staying about an hour east of Cannes, and it’s a similar vibe to the movie where everyone’s staying in the same hotel. If generality is the enemy of art, then Wes deserves a statue."Įarlier this year at the Cannes Film Festival launch of 'The French Dispatch', Chalamet discussed learning from co-stars McDormand and Khoudri, dinners with the ensemble cast, being directed by Anderson, and more below.Īfter 18 months of pandemic how does it feel to be back in the world, premiering this movie at Cannes? Those moments are inspiring because he’s pushing himself, he’s chasing something extremely refined, and what to me seemed random at the time was to him the finest edges of something very deeply thought out. At a certain point, I thought: 'Really?' But I got it. ![]() There was one shot that lasted about 4 seconds, where I pinned a piece of paper to a wall and walked to a jukebox. ![]() It’s a little daunting, his captain hood, because the atmosphere is a kind of communal Bohemian circus, but absolutely everything runs like clockwork - everyone is united behind Wes’ vision and everyone contributes to making it happen. And, of course, Wes, who is always inspiring. Nothing is wasted, every screw and every wire function, and everyone is working together, from Sanjay to Bob Yeoman to Milena to Adam Stockhausen and their teams. "Magazines, photos, film references - 'The 400 Blows' by Truffaut, films by Jean-Luc Godard."ĭescribing his first-time working with Anderson, Chalamet explains: "It’s an extremely well-oiled machine. "Wes sent all these references over," says Chalamet. Zeffirelli and Juliette appear in the story, 'Revisions To A Manifesto', inspired by the events of May 1968 when student protests and civil unrest led to a movement that shut down the entire country. 'The French Dispatch' also features beautifully lit slow-motion shots of Chalamet riding on the back of an e-bike with on-screen flame, Lyna Khoudri, cast as opposing student revolutionary movement leader, Juliette. And with classic Anderson hallmarks including emotional precision and masked feelings, of course, Frances McDormand playing American journalist Lucinda Krementz (paying homage to Canadian writer, Mavis Gallant, who lived in Paris, near Anderson's own apartment, and wrote for The New Yorker), firmly replies, "Exactly!" "Maybe you're sad, but you don't seem lonely to me," says Timothée Chalamet in character as student revolutionary movement leader, Zeffirelli, in Wes Anderson's latest offering: the self-described "love letter to journalists" anthology film, 'The French Dispatch'. ![]()
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